Free Ebook , by Frank M. Rines

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, by Frank M. Rines

, by Frank M. Rines


, by Frank M. Rines


Free Ebook , by Frank M. Rines

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, by Frank M. Rines

Product details

File Size: 7949 KB

Print Length: 64 pages

Publisher: Dover Publications (March 14, 2012)

Publication Date: February 15, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00A3IL1UW

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Amazon Best Sellers Rank:

#249,956 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Landscape Drawing in Pencil Frank M Rimes I didn't find this book very helpful. I appreciate this author's approach via presenting a picture and then discussing qualities, problems, solutions etc. But in the sketchy (no pun intended) way he does it here, it is more like a lesson in drawing his specific picture(s). I don't consider myself a REAL artist so maybe the fault is mostly mine. But I still cannot recommend this book to anyone.

Obviously, given that it is an art instruction book, this volume contains numerous illustrations. These illustrations are in landscape page view, not portrait. The kindle cannot cope with this. It turns the landscape pages on their side so if you are viewing on Kindle for PC, you are viewing all images at a rotation of 90 degrees.Amazon really should not be selling art books on kindle until and unless they improve the kindle so that (a) images display as in the book, which means that on Kindle for PC the page width needs to be widened, and (b) it is possible to view in colour. Further, it is essential that art books be viewable properly on Kindle for PC because the small size of other Kindles renders them intrinsically unsuitable for displaying art books.

It's good if you want reference images with barely any words written about the picture. Most pictures contain only slight words on shading being darker there or lighter here, but not much else. No instruction on how to recreate any of the beautiful sketches for ourselves. It's great for reference, like I said, but it just wasn't what I was expecting-But that wasn't necessarily a bad thing. I read through it and I realized that step-by-step books can only teach so much. But a book like this-one that tells you how to create different textures then illustrates them for you to see and study closely-teaches you more than you'd think possible by just looking at pictures.Makes you slow down and think about what you need to do to create what you want. It's perfect in that, as well as showing some beautiful artwork with techniques a bit dated, but not bad at all.

Note that this is originally from 1929, and the language definitely reflects that.This book doesn't seem to know its audience. The author states this book isn't for beginners, but then covers very beginner pencil techniques, and then jumps directly to very advanced, completed drawings. There is a short paragraph discussing how each drawing was made, but if you understand that paragraph, you don't need the book. A more step-by-step approach would have been infinitely preferable.

It isn't quite what I expected, more of an overview of very basic drawing techniques and then straight into overviews of completed drawings. There really isn't any discussion of suggestions for the beginner on different ways to draw common objects found in landscapes.

This is not a book for beginners. As the author states in the introduction, it is aimed at students who have had some training and experience drawing and have some knowledge of freehand perspective. It is meant “to arouse an interest in the art of pencil technique, especially as it pertains to out of door subjects.” The book was originally published in 1929. The technique referred to is the now all-but-forgotten technique of broad stroke drawing or pencil painting where “each stroke is made in some definite direction, and then left that way...” Other proponents of this technique include Theodore Kautzky (“The Ted Kautzky Pencil Book”), Earnest W. Watson (“The Art of Pencil Drawing”), Ferdinand Petrie (“Drawing Landscapes in Pencil”) and Carl Purcell (“Drawing with Your Artist's Brain”). The strength of this book is in the 22 finished drawings reproduced of a size and quality allowing study of the various strokes used in their creation. A succinct description is provided with each explaining a particular problem solved in the drawing. If you appreciate this type of drawing and are looking for samples to study, this is one of the few books available that is dedicated to the technique.

Only a good book if you are interested in reading a book by an arrogant person who claims (quite literally many times in the first couple chapters) that his style is the only style that is worthwhile. Then there are sketches at the end with no instruction. As a matter of fact, he says in the beginning it would be unethical to copy his masterpieces. Find a different Landscape book.

Just plates of completed work. Simple, high-level points discussed, but no step-by-step instruction or approaches to drawing landscapes.

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