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Ebook Free The Art of Fiction: A Guide for Writers and Readers

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The Art of Fiction: A Guide for Writers and Readers

Ebook Free The Art of Fiction: A Guide for Writers and Readers

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Amazon.com Review

In 1958, a year after the publication of Atlas Shrugged, Ayn Rand gathered a group of student readers and writers in her living room for a series of 12 four-hour lectures about fiction. The Art of Fiction evolved from that course. Though Rand's Romantic Manifesto was also partly based on the same lecture series, this book omits (for the most part) Rand's discussions of other art forms. Its gist is a case for fiction that is "Romantic" (deriving from a belief in free will) rather than "Naturalistic" (allowing for fate). It is hard to be ambivalent about Ayn Rand. Rand spoke in absolutes, and either you buy it or you don't. There is plenty of fiber and nutritious material in this book, but the Rand agnostic may find it hard to digest. Rand's ego is enormous and her dismissiveness petty most every step of the way. "In regard to precision of language," says Rand, who uses her work throughout the book to exemplify her points, "I think I myself am the best writer today." But woe to any other author, excluding Victor Hugo, Mickey Spillane, and, with reservations, Dostoyevsky. "To see how not to write," advises Rand, "read [Thomas Wolfe's] descriptive passages." Sinclair Lewis, she says, is a "perceptive but superficial observer." James Joyce? "He is worse than Gertrude Stein. ...He uses words from different languages, makes up some words of his own, and calls that literature." Still, Rand does have some useful things to say to the fiction writer. Perhaps most important is her emphatic belief in the concrete. "In order to be completely free with words," she intones, "you must know countless concretes under your abstractions." It is only the concrete, she adds, that will lead the reader to your abstractions, your themes. Along related lines, Rand believes firmly that "If a writer feels that he was unable fully to express what he wanted to express, it means that he did not know clearly what he wanted to express"--no more blaming it on writer's block for you! And remember: "A good style is one that conveys the most with the greatest economy of words." This means that "when you draw a character, everything that you say about him acquires significance by the mere fact of being included in your story." The bottom line is that "Art is selectivity." --Jane Steinberg

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About the Author

Born February 2, 1905, Ayn Rand published her first novel, We the Living, in 1936. Anthem followed in 1938. It was with the publication of The Fountainhead (1943) and Atlas Shrugged (1957) that she achieved her spectacular success. Rand’s unique philosophy, Objectivism, has gained a worldwide audience. The fundamentals of her philosophy are put forth in three nonfiction books, Introduction to Objectivist Epistemology, The Virtues of Selfishness, and Capitalism: The Unknown Ideal. They are all available in Signet editions, as is the magnificent statement of her artistic credo, The Romantic Manifesto.

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Product details

Paperback: 192 pages

Publisher: NAL (January 1, 2000)

Language: English

ISBN-10: 9780452281547

ISBN-13: 978-0452281547

ASIN: 0452281547

Product Dimensions:

5.4 x 0.4 x 8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

56 customer reviews

Amazon Best Sellers Rank:

#401,049 in Books (See Top 100 in Books)

I am not a fiction writer or that much of a fiction reader, but I thoroughly enjoyed this book. There is nobody that can compare to Ayn Rand's clarity and ability to communicate the reasoning supporting their views. She provides detailed explanations of common phenomena that others can only explain by stating there is no explanation, eg writers block, or inspired writing.I enjoyed the first part of the book where she discussed the methodology involved in writing and her own insights that contributed to her growth as a writer. The second part was more technical and discussed various examples from different writers.Ayn Rand's ability to dissect and analyze others' writing and her uncanny ability to introspect make this book highly entertaining and educational. It provides insight into one of the greatest minds in history.

Easy to follow, concise, informative: the important details fiction writers must practise. I read it again, five years after I first read it, and I got so much more out of it, understood it, because I have published, practised the writing craft. I realized it is a work of a genius who wanted to help other writers. Experienced writers will get more from the book, so practise and read it and practise more and read it again, and again.

This is a tremendous tool for the aspiring writer. In it, the great Ayn Rand presents her basic vision of the craft of fiction writing. The material is apparently gleaned from a lecture series the author gave at her home in the late fifties. Though dated, the advise is still tremendously useful to anyone who seeks to write better fiction. I read this book after my first novel was accepted for publication. After reading each important instruction from Rand, I found myself reviewing my own work and wishing I had made this information part of my subconscious prior to setting about the writing. I believe that my future work will be much better as a consequence of reading this book. What greater compliment can we pay?As others have noted, it is hard to read anything from Rand without feeling beat about the head and shoulders with her philosophy and egotism. In reflecting on her life and work, I have great compassion for the tragedies she endured and great admiration for her determination. I wish I could have talked to her and somehow helped her out of her militant atheism. But I seriously doubt if she would have listened to me or changed. In any case, this is wonderful and important material, which I recommend to anyone who desires to write serious fiction.

I am a writer, and a fan of Ayn Rand, and I greatly enjoyed this book."The Art of Fiction" is helpful not only for writers, but also for Ayn Rand fans who want to understand her novels better. For example, I liked the explanation of "Romantic" versus "Naturalistic" novels.The book is an edited version of a course of lectures that Rand gave in 1958 to a group of writers. The book would have been better if Rand herself edited it, but anyway we must take what we can get.John Christmas, author of "Democracy Society"

"In regard to precision of language I think I myself am the best writer today." (P. 10)OK-this is Ayn Rand, so you either love her or hate her. But you do have to admit that she is one the world's clearest thinkers. She not only knows what she believes, but she also knows how to explain it, and explain it very well. This is exceptional when you consider that English is a second language.Moreover, her main qualification is writing the second-most influential book in America, with the Bible being number 1, "The Road Less Traveled" at 4, "Lord of the Rings" at 5, and "The Book of Mormon" at 8. That is no small feat, considering that "Atlas Shrugged" is over a thousand pages long, and beat out "Gone With The Wind," "Man's Search For Meaning," and "To Kill M Mockingbird."She covers the four topics of theme, plot, characterization, and style, and uses her keen mind to analyze the critical elements. You get a good feel for how good a writer Rand is when you compare her streamlined prose with Thomas Wolf's raunchy vomiting.There is nothing new, per se, in this book. She has the gift of getting to the essence of an issue. She also covers twice as much information in about half the page space. You do not get bogged down in verbal circumlocutions.I would suggest reading this book, then reading "Philosophy: Who Needs It?" and then "The Romantic Manifesto." There are deep ideas behind her faction, and this book is a summation of her intellectual point of view. As a Mormon, I disagree with much of her philosophy. However, if someone has a good idea, I am honor bound to recognize it. "If there is anything virtuous, lovely, or of good report or praiseworthy, we seek after these things."Rand's strength is that she is operating from a philosophic point of view. We really do not have philosophic fiction writers, outside of C. S. Lewis, Nietzsche and Sartre. This is not to say that other authors do not have ideas, but that they are not operating from a certain point of view. This is why Rand is so engaging: instead of presenting a mental muddle, she actually has a point to what she writes. Hence her precision in language.

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The Art of Fiction: A Guide for Writers and Readers PDF

The Art of Fiction: A Guide for Writers and Readers PDF

The Art of Fiction: A Guide for Writers and Readers PDF

The Art of Fiction: A Guide for Writers and Readers PDF